Book ‘The Venice Sketchbook’ by Rhys Bowen

Read excerpt from 'The Venice Sketchbook: A Novel' by Rhys Bowen

Love and secrets collide in Venice during WWII in an enthralling novel of brief encounters and lasting romance by the New York Times bestselling author of The Tuscan Child and Above the Bay of Angels. Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper… Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than sixty years. It’s 1938 when art teacher Juliet Browning arrives in romantic Venice. For her students, it’s a wealth of history, art, and beauty. For Juliet, it’s poignant memories and a chance to reconnect with Leonardo Da Rossi, the man she loves whose future is already determined by his noble family. However star-crossed, nothing can come between them. Until the threat of war closes in on Venice and they’re forced to fight…

Publisher: Lake Union Publishing; 1st edition (April 13, 2021); Pages: 412 pages; ISBN-10: 1542027128; ISBN-13: 978-1542027120; ASIN: B08CV9SPDQ

Author’s biography: Rhys Bowen is the New York Times bestselling author of more than forty novels, including Above the Bay of AngelsThe Victory GardenThe Tuscan Child, and the World War II–based In Farleigh Field, the winner of the Macavity and Left Coast Crime Awards for Best Historical Mystery Novel and the Agatha Award for Best Historical Mystery. Bowen’s work has won twenty honors to date, including multiple Agatha, Anthony, and Macavity Awards. Her books have been translated into many languages, and she has fans around the world. A transplanted Brit, Bowen divides her time between California and Arizona. To learn more about the author, visit www.rhysbowen.com.

Book excerpt

This book is dedicated to my dear friend and choir director extraordinaire, Ann Weiss. Singing with her choir has been one of the most meaningful experiences of my life. Not only does Ann have the voice of an angel, she also has a love affair with Venice
I hope she’ll enjoy revisiting vicariously with this novel.

PROLOGUE: VENICE, 1940

“I have an ulterior motive for visiting you, apart from saying goodbye. I wondered if you’d care to work for your country?”

When I looked surprised, he went on. “What I have to say from now on is all top secret, and you must sign a document to verify this.” He reached into his pocket and put a sheet of paper on my table. “Are you prepared to sign?”

“Before I know what is entailed?”

“I’m afraid so. That’s how it works in wartime.”

I hesitated, staring at him, then walked over to the table. “I suppose there is no harm in signing. I can still say no to what you propose?” “Oh, absolutely.” Mr Sinclair sounded far too cheerful.

“Very well, then.” I scanned the document, noting that betraying the trust could result in prison or death. Hardly reassuring. But I signed. He took it back and slipped it inside his jacket.

“You have a fine view here, Miss Browning,” he said.

“I know. I love it.”

“And I understand you own this place.”

“You seem to know a lot about me,” I said.

“We do. I’m afraid we had to check into your background before making this request of you.”

“And that request would be?”

In the kitchen alcove the kettle boiled, sending a loud shriek that made me rush to the stove. I poured the water into the teapot, then returned to the living room.

“You are in a prime position to watch the movement of ships. You know the Italians have navy vessels stationed here. Now they might well be allowing the German navy to use this as a base from which to attack Greece, Cyprus, Malta. I’d like you to give us a daily account of shipping activity. If ships leave the harbour here, you tell us and we’ll have planes ready to intercept.”

“How would I tell you? Who would be left to tell?”

“Ah.” He turned a little red. “Someone will be sent to install a radio. It will be hidden so that nobody else knows about it. You can’t use it when that woman of yours is here. She cannot be allowed to see it. Is that clear?”

“Of course. Although she is not the brightest. She probably wouldn’t know what it was.”

“Nevertheless”—he held up a warning finger—”you will broadcast as soon as possible after you witness shipping activity.”

“To whom do I broadcast? And what do I say?”

“Patience, dear lady. All will be made clear,” he said.

I went back into the kitchen and poured two cups of tea, then carried them on a tray to where we’d been sitting. Mr Sinclair took a sip and gave a sigh of satisfaction. “Ah, tea that tastes like tea. One thing I shall enjoy when I get
home.”

I took a drink myself and waited.

He put the cup down. “Do you know Morse code?”

“I’m afraid I don’t.”

“I’ll get a booklet over to you. Learn it as soon as possible. Along with the radio, you will receive a codebook. You will keep that hidden apart from the radio, in a place where nobody would think of looking. Your messages will be sent in code. For example, if you see two destroyers, you might say, ‘Granny is not feeling well today.”‘

“And if the Germans break the code?”

“The codes will be changed frequently. You will not know in advance how you’ll receive a new booklet. Maybe a package from your auntie in Rome with recipes in it.” He shrugged. “Our secret service is highly resourceful. The good thing is that you will never have to make personal contact with anyone, so should you be questioned, you will not have to worry about betrayal.”

“That sounds so reassuring,” I said drily and saw the twitch of a smile on his lips.

He took another sip, then put down his cup once more. “One more thing,” he said. “You will need a code name for communication. What do you suggest?”

I stared out across the canal. A cargo ship was moving slowly past. Was I mad to agree to this?

“My name is Juliet,” I said, “so my code name could be Romeo.”

“Romeo. I like it.” He laughed.

CHAPTER 1

Juliet, Venice, May 20, 1928

At last Aunt Hortensia and I have arrived in Venice, after a long, sweaty, smoky and exceedingly uncomfortable train journey. Aunt Hortensia does not believe in wasting money and declared that sleeping berths on a train ride are completely useless as the cars stop, start and shake so much that sleep is impossible. So we sat up, all the way from Boulogne, on the French coast, through France, then Switzerland and into Italy. By day it was awfully hot. One could not open the windows as smoke and cinders would blow in from the engine. And during the night there was a man opposite me who snored loudly, as well as his wife, who stank of garlic and body odour. I know I shouldn’t be complaining. I am fully aware of how awfully lucky I am at being taken to Italy for my eighteenth birthday. The girls in my form at school were most envious!

All that is behind us now. We are here. We came out of the Santa Lucia train station and stood at the top of a flight of steps.

“Ecco it Canal Grande!” Aunt Hortensia said in dramatic fashion, spreading out her arms as if she was on stage and had created the scene for my benefit. My Italian was limited to “please,” “thank you” and “good day,” but I understood that this was the Grand Canal. Only it didn’t look very grand. It was wide, to be sure, but the buildings on the other side were rather ordinary. And it looked dirty, too. The odour that greeted my nostrils was not particularly appetizing. It was a watery sort of smell with a hint offish and decay. I didn’t have much of a chance to study my surroundings, however, as we were immediately besieged by porters. It was a little alarming to have men fighting over us in a strange language, snatching at our bags and trying to bundle us into a gondola, whether we wanted one or not. But as Aunt Hortensia confessed, we had no alternative. We could not have managed all that luggage on one of the water buses they call “vaporetti.” Of course, I was thrilled to be in a gondola, even though the gondolier was not a handsome young Italian who sang love songs, but rather a grim-faced man with a paunch.

As we came around a bend, the Grand Canal became incredibly grand. On either side of us were amazing palaces, marble coated, or in shades of rich pink with arched Moorish windows. They appeared to float on the water in a way that was quite surreal—I wanted to get out my sketchbook right away. It was lucky that I didn’t, as the amount of traffic on the canal made the boat rock alarmingly. The gondolier muttered what must have been Italian swear words.

We were moving along quite nicely for a boat rowed with one oar, but the canal seemed awfully long.

“Ecco it Ponte di Rialto,” Aunt Hortensia exclaimed, pointing at a bridge that crossed the canal ahead of us, rising up in a great arch, as if suspended by magic. It appeared to have some sort of building on it because a row of windows winked in the afternoon sunshine as we approached. I wondered if Aunt H. intended to speak in only that language from now on. If so, conversation was liable to be rather one-sided.

However, this fear was dispelled as she now produced her Baedeker and began to inform me about each building we passed: “On your left, the Palazzo Barzizza. Note the thirteenth-century facades. And that large building is the Palazzo Mocenigo, where Lord Byron once stayed…”

This continued until an overcrowded vaporetto pulled out from its jetty. Our boat rocked again, and she almost dropped the book into the murky depths.


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